Explore the Collections: Original Paintings & Sketches

Whether I am creating figurative paintings or mixed media abstracts, my process always begins from a single point: a direct response to a lived experience. I translate things I have felt and remembered into a visual language of energy and colour.

My work focuses on the intersection of memory and physical presence. I find biological and environmental structures endlessly fascinating and I explore how energy flows through different forms, regardless of whether the subject is a person or a place.

Art is a form of self therapy for me. My figurative work reflects the continual process of rebuilding myself from fragments. These paintings are personal and intimate records of my inner life, representing emotional change and growth, imperfection and vulnerability.

I hold a Diploma in Artistic Textiles and a Master’s in Painting. I aim to bring these two worlds together in everything I do. I adore texture and often try to recreate either visually or physically, the texture of the fabric-like threads. I work with mixed media, particularly acrylics, pastels and gold leaf and sometimes also include fibre beads beads. I try to create a sense of movement and depth that gives the surface a three dimensional feeling.

The lines threading through my mixed media pieces represent the invisible bonds and connections that surround us. I view them as the veins, roots, and fibres that weave through both the natural landscape and the human figure, mirroring our shared connections to the world.

This shift came from returning to myself and my artistic roots. For years I painted landscapes while searching for a place to belong. When we settled in Asturias, I felt safe enough to look inwards again. My figurative work is not about the human body. It is about emotion, movement, vulnerability and healing.

I made a clear decision to stop painting with expectation. After burnout from trying to please others, I returned to painting only what feels true. I do not follow social media trends or paint for algorithms. When you buy my work, you are buying discipline, consistency and honesty. The work exists because it needed to be made, not because it was popular.

Yes, of course! I am always open to discussing genuine offers, all the more so if you would like to purchase two or more pieces at the same time. 

No. I participated in one NFT Skateboard Design project many years ago, but that is it. If you ever encounter any other NFTs with my name associated, they are fake and unsanctioned. 

Yes. My work is represented by international galleries across Europe, Central America and North America. Please visit my About page for a full list of the galleries that I currently work with.

Buying directly supports our sustainable, family-run studio in rural Spain. It ensures the highest level of provenance, as you receive the work straight from where it was created. 

Mixed media means I use more than one material in a single piece. I build depth and texture through layered surfaces and contrast.

I use acrylics for strong colour and layered structure. I work with both soft and oil pastels, and graphite to create fine energetic lines that feel like fibres moving through the surface. I also sometimes use gold leaf to give an extra dimension to the light and to add warmth.

Using a very soft brush such as an artist’s brush or a clean dry kabuki makeup brush, gently sweep the dust away with light movements. Never use a feather duster or a damp cloth. 

No. I never recommend using chemicals, glass cleaner, alcohol or household sprays. These are likely to damage the varnish and can expose the gold leaf which causes permanent oxidisation damage.

This comes from my textile background. I paint and repaint. I let the figures shift and change. The surface contains the full history of the work. You see the layers, the changes in mood and the mistakes. It reflects real life. Nothing is fixed. Everything is always moving.